all my blogs ever

listed by page and title...

Mrs Barker-Finch

& son Hamish...

...in the way

There was a tradition among the boarding houses at The ​King's School that the boys of the house would entertain ​their parents once a year. The evening would consist of ​drinks, followed by a meal, followed by entertainment.

Some of the houses put a lot of effort into the ​entertainment and often produced a full-length play. ​There could also be musical items and, sometimes, poetry ​recitals around a theme. I was often called on to help the ​lads prepare these entertainments.

There was a certain social hierarchy amongst the ​boarding houses—houses that had lads from the Polo-​Playing squattocracy through to houses that sheltered the ​lads who were in the way of their eastern suburbs' ​socialite parents. The Asian lads were, on the whole, ​found in another house.

pre-dinner drinks

On this occasion, it was a Polo Squatters affair. There was ​a mother's committee that organised with the families ​what foods to bring. The Head Mum, on this occasion, had ​deemed some of the food that was presented as being ​'off' and it was consigned to the garbage.

As the parents and boys were mingling for pre-dinner ​drinks, the heavens opened, washing out the alfresco ​dining arrangements, and so a last-minute change of ​venue saw us all heading to the school dining room.

Think laminated table tops, think Uri Geller folks, think ​salt and pepper shakers without tops, and unmentionables ​smeared under the tables. Think ugh...

"it's... Bouquet"

We sat ourselves at tables of ten. On my table, there was ​a Mrs Barker-Finch and her 6th-form son Hamish. Mrs ​Barker-Finch went on and on in a style that later became ​synonymous with Hyacinth BUCKET ("it's... Bouquet"), ​singing the praises of her son Sheridan.

On and on and on. Mrs Barker-Finch had us believe that ​son Hamish was the model of manners, etiquette, and ​grace. I knew Hamish to be a down-to-earth lad who ​called a spade a shovel.

Now, when the dessert arrived, there was a slight ​problem. The kitchen was always going to provide dessert ​for the gathering, but someone had forgotten to defrost ​the fruit salad, and mountains of frozen fruit salad and ​individual servings of ice cream arrived on the table.

still on the table

Hamish took to the frozen fruit salad with a knife and ​began chipping away. The lads were starving because ​there had been a shortage of food from the main course ​for the reason stated.

So picture it: Hamish with his bowl full to the brim with ​frozen fruit salad and two scoops of ice cream. With his ​fork held high, he began to attack the dessert when Mrs ​Barker-Finch let out a blood-curdling, "Hamish, stop ​eating... The condiments are still on the table."

Hamish turned to his mother and said, ​"What are condiments, Mum?" We heard no ​more of Hamish’s finer points of style and ​manners from Mrs Barker-Finch...

Some Names changed for privacy

Fending for Myself

Part 2.

For The Want

of an

Eggbeater...

The Pavlova

I was the librarian at Taber, Alberta, and in an earlier ​blog, I described how the library ladies spoilt me with ​cups of tea and homemade cakes for morning and ​afternoon teas.

A particular favourite of mine that they made was an ​angel food cake. It was so light and airy and just melted ​in the mouth. So, when I was to leave the school, I ​decided that I would surprise the library ladies with an ​Australian culinary delight: a Pavlova.

I wrote to my mother, obtained the recipe, and set about ​creating my Pav. However, I was missing a few kitchen ​essentials, but I was confident I could overcome that ​deficit.

The one major missing piece of equipment was the ​electric eggbeater, but I reckoned that a fork and a ​vigorous wrist action would do the trick. I had seen ​Pavlovas made, and it all seemed to be about getting air ​into the mix.

The Mixture

Hadn't Grandma sung the praises of mixing the Christmas ​cake by hand? So, with my fork, I whisked and whisked ​and whisked the egg whites, but rising was there none. ​Undeterred, I reckoned it had plenty of air in the mix and ​that the heat would do the trick.

The mixture, measuring about an inch in height, went ​into the oven, and forty minutes later, it measured about ​half an inch. It was as tough as old boots—but tasty ​nonetheless.

So the library ladies were denied the ​pleasure of tasting my Pav, and for ​morning tea, they had to make do with a ​bought pound cake and tales of what they ​were missing out on...

Who Am I?”

Robin Evans

introspection

Explorers of Non-duality delve into the core of reality ​through philosophical investigations, striving to ​surpass divisions and dualities. By challenging ​perceptions and broadening awareness, they pursue ​oneness and interconnectedness within the fabric of ​existence.

“Who am I?”

The manner in which we navigate these inquiries dictates ​the connections we foster and those we abstain from, the ​spaces we enter and exit, our attractions and aversions, ​and whether we perceive opportunities or obstacles in our ​path. These inquiries shape our interests and ​equivocations.

When we unearth deeply fulfilling responses to these ​inquiries, life resonates with meaning and purpose. ​Conversely, when these inquiries confound us, life appears ​stagnant and devoid of direction.

“How do I align with my authentic self?”

The scientific method or appeals to authority fall short in ​addressing these inquiries. In many respects, we embark ​on a solitary quest to uncover answers. We may ​contemplate in solitude or engage in discussions within ​our social or spiritual communities. However, true ​satisfaction in these inquiries arises from within, through ​introspection and examination of our own experiences.

Here lies the promise of nonduality.

understanding

Non-duality, a fundamental principle in Eastern ​philosophy, denotes the understanding of "not two." It ​emphasises the interconnectedness of existence as a ​singular whole rather than a collection of separate parts.

As individuals, we often inherit certain beliefs about our ​identity shaped by culture, upbringing and the adult ​world. These commonly include:

  • Identifying with our physical body
  • Associating ourselves with our thoughts
  • Perceiving a separation from others
  • Feeling disconnected from the creative Universe

However, such beliefs, though deeply ingrained, often fail ​to provide genuine satisfaction. They lead to existential ​concerns, internal conflicts, and hindered personal growth.

Non-dual teachings offer a more fulfilling perspective on ​the question "Who am I?" by transcending these limited ​notions of identity. Non-duality opens pathways to ​healthier relationships, conflict resolution, and the ​realisation of personal aspirations, facilitating a more ​enriching and meaningful life experience.

Questions

As aspirants of Non-duality, we explore fundamental ​questions about our existence:

If I am my thoughts, why do I observe them coming and ​going while I remain constant? Do I cease to exist in ​moments of thoughtlessness?

If I identify with the body, where does the body end and ​the rest of the world begin? Is it defined by my skin, my ​organs, or something else? What about the air I breathe ​or the cells constantly renewing within me?

If I believe I'm separate from others and the universe, ​why am I constantly interacting with everything around ​me? Why can't I isolate myself from my environment?

If I see myself as separate from the creative force behind ​existence, where does that force reside? Wouldn't it and I ​exist within a larger space, connecting us inseparably?

Contemplating these questions can lead to a more ​functional understanding of "Who am I?"

A tiny part

Non-duality teaches me that I'm part of an indivisible ​whole; I can't separate myself from the world, others, or ​the creator. My essence isn't tied to my mind or body; ​rather, I am the witnessing presence that experiences ​them and all of existence.

This realisation brings satisfaction. I needn't fear ​disappearing, feel isolated, or be limited by my body's ​constraints. Everything aligns as it should, for my story ​isn't just mine; it's the Universe's, of which my body is ​merely a tiny part.

illusion

With clarity in this understanding, life becomes more ​peaceful.

As an experiencer of non-duality, understanding the ​question "Who am I?" and grasping the non-dual answer ​isn't an immediate task like reading an article. It often ​takes a lifetime of introspection and contemplation to ​realise that everything is interconnected and that the idea ​of separation is an illusion.

common hurdles

Why can't I read others' thoughts if we're not separate?

Although my existence isn't limited, my mind is. My ​existence encompasses all thoughts across time and ​space, while my mind is confined to my own thoughts.

How do I know I'm part of a unified whole?

While I may not have direct proof of being part of an ​indistinguishable whole, I do have proof that I'm not ​separate from anything I interact with. Every relationship ​requires a shared environment, whether with a person, a ​book, or a cup of tea.

Is it just a belief?

Non-duality isn't about blind belief; it's about direct ​verification through inner contemplation. Teachers can ​help clarify doubts, but the understanding ultimately ​comes from within.

By shifting our perspective from identifying solely with ​our body and mind to recognising the space in which they ​exist, we gain a deeper understanding of existence. This ​broader view allows us to navigate life with less confusion ​and greater peace as we see ourselves as part of a larger ​whole.

Exploring the question "Who am I?" may lead to confusion ​as we attempt to align this perspective with our ​conventional worldview.

Many non-duality teachers adopt a question-and-answer ​approach, allowing individuals to engage in inquiry, ​encounter confusion, and eventually seek clarification. ​These sessions are often recorded and shared online, ​offering accessibility to seekers worldwide.

YouTube Channels:

Although nonduality originates from Eastern traditions, ​numerous contemporary teachers raised in Western ​culture cater to Western audiences. Some notable teachers ​include:

Terrence Stephens is an Australian teacher and guide to ​non-duality.

Rupert Spira simplifies non-dual teachings for modern ​audiences.

Mooji delivers non-dual teachings with reverence, humour ​and a hint of religious fervour.

fulfilment

As we delve into the inquiry of "Who am I?" we uncover ​profound insights that dissolve the illusions of separation ​and reveal the essence of our being. With this ​foundational understanding, the journey naturally ​progresses to the question: "How do I embody my true ​nature?"

This question transcends mere identity and invites us to ​align with our authentic expression in every aspect of life. ​It guides us towards recognising and embracing our ​unique gifts, passions, and purposes. Through this ​alignment, we navigate relationships, careers, and ​endeavours in a way that resonates deeply with our ​essence, fostering joy, fulfilment, and harmony.

In essence, as we unravel the layers of illusion and ​embrace our true selves.

We embark on a journey of self-​realisation that encompasses both the ​understanding of our essence and the ​embodiment of it in every facet of ​existence...

BOOK REVIEW

Would butter melt

in your mouth?

Butter...

The focus of today's blog is Butter...

Were you ever called butterfingers?

Have you ever been buttered up?

Does your toast always fall

buttered side down?

When you fall, does your bum always

land in the butter?

Do you know any social butterflies?

Would butter melt in your mouth?

What's the butter in Butterfly?

Butter makes it better.

rape scene

There was the scandal-making scene in Last Tango in ​Paris when Brando and Bertolucci schemed to use a stick ​of butter in the anal rape scene without telling the actress ​that it was going to happen.

The most expensive butter in the world is a British ​product, Ridiculous No55, which costs £95.00 per pound. ​In addition to the milk, lobster, crab, caviar, and fennel ​are included in the product.

The colour of butter is determined by what the animals ​are fed.

Oval Blurred Shadow
Oval Blurred Shadow

Bread and Butter Pudding is a favourite of mine.

The following authors have all written books and other ​works with the title: Butter.

Anne Panning


Erin Jade Lange


Elizabeth Alexander


Gayl Jones

considered beautiful

Butter is made from the milk of the

following animals:

  • Goats
  • Sheep
  • Camels
  • Reindeer
  • Water Buffalo

I am currently reading Butter by Asako Yuzuki. It is a ​novel with a murder mystery at its heart and loads of ​misogyny. It explores the many demands made on women ​to achieve a certain standard of body shape, which is ​considered beautiful.

The central character, a serial killer who feeds lonely men ​gourmet meals before killing them, announces at one ​point that "there are two things that I simply cannot ​tolerate: feminists and margarine."

Freud on toast

There is a three-page description of a meal of rice, butter, ​and soy sauce that left me with pangs of hunger, licking ​my lips and going in for seconds.

The novel explores the links between women, their eating ​habits and their relationships with their fathers—sort of ​Freud on toast... with gobs of butter.

"I am the fire upon the altar. I am the sacrificial butter."James Joyce

Jane Austen mentions a Black Butter Jam.

From a recipe published in 1654: Sheep’s tongues fried in ​green butter.

From 1618: "to make butter with one's tail". (of a woman ​to have sexual intercourse.)

And, of course, there's always the

good old Peanut Butter straight

from the jar.

Fending for Myself

Part 1.

burnt

offering

ingredients

I have outlined in a previous blog that I set out into the ​wider world and landed in Taber, Alberta, Canada. So here ​I was, alone at last and having to fend for myself. Safe to ​say, I had had little instruction from Mother as to how to ​prepare a meal.

In fact, it was well-established that Mum was a pretty ​ordinary cook. Meat and three vegetables were the order ​of the day. The meat was burnt to a cinder, and the ​vegetables boiled to an inch of their lives.

And so I had to decide what to make for my first meal. I ​did a preliminary shop and decided that I would make a ​hamburger. There was no point in entering some ​philosophical discussion as to the need to include ​pineapple and beetroot, as those ingredients were sadly ​lacking from the Taber store.

smoke alarm

So, I shaped the mincemeat into the patty and dropped it ​onto the hot plate. I have to tell you that I was in a ​basement apartment with narrow window slits that ​opened at ground level. Seeing as it was winter, read that ​as snow level. More about that later.

Just as the patty hit the grill, I received a call from the ​people in the house above. They wanted to see me so I ​hopped up the stairs. We had a very pleasant get-​together, and they offered me a cup of coffee. Our ​pleasant soiree was soon interrupted by the sound of a ​screaming smoke alarm.

wafting in the breeze

I raced back down into my subterranean depths to see my ​hamburger alight and filling the kitchen with thick acrid ​smoke.

There was lots of towel-waving in an effort to clear the ​air and a thrusting open of the windows. The burnt ​offering of the once-burger meat was quickly dispatched ​to the bin. Dinner that night was biscuits and a cup of ​tea.

It had been a very eventful first day, and I went to bed on ​an empty stomach, only to wake up at about midnight ​feeling numb and cold. The apartment was air-​conditioned, and the thermostat registered 70 degrees ​Fahrenheit (about 20 Celsius). And then I noticed the ​curtains wafting in the breeze.

icy blasts

I had forgotten to close the windows after the ​conflagration, and the arctic blasts were blowing steadily ​into my apartment. I hear the people above talking about ​the temperature in their place. They thought the furnace ​had broken down. I could hear the furnace roaring, but it ​was no match for the icy blasts I had let loose.

In the morning, I apologised profusely for causing such ​mayhem... They took it as something that an Aussie ​would do... Fresh air and cold baths.

I never opened the windows again, and the ​next evening, I made myself Cold Collations. ​Eventually, I managed an Omelette.

“Just a fluke”

any feeble excuse

the rain started

I was about to take up my position at Clifton College in ​Bristol, and had arrived a few days early to settle in. I was ​to be a boarding house tutor so that meant I had ​accommodation in one of the many school houses. I had ​hardly arrived when there was a knock on the door, and a ​chap introduced himself as a tutor in one of the other ​houses.

It was a bright sunny afternoon and he asked if I would ​like a game of tennis. “Oh no no no, I am only a hit and ​giggler when it comes to tennis” (and any other sport) I ​said, but he insisted that I was being modest. It was a ​case that in the eyes of any Englishman, all Australians ​were either Don Bradmans, Dawn Frasers or Rod Lavers.

the speed of light

My protests fell on deaf ears. And any feeble excuse I put ​forward he countered instantly. He had a tennis racquet ​for me and even a pair of tennis shoes.

One of my colleagues played cricket for a local team, and ​he invited me to play... another case of all Australians ​are... in this case, Don Bradmans. “No no no no no.” I ​pleaded but he persisted and I found myself a few days ​later walking out to bat against a local team.

They were pretty good, and I was put down to bat at No. 4 ​in the order—the best batsman spot. Now, the weather ​was very threatening, and as I walked out, the clouds ​were ready to burst. And as the bowler began his run-up ​(I was actually on a hat-trick and would have put money ​on it happening for certain), the rain started very heavily.

There was no going back for the moment. The ball came ​at me like a thunderbolt. I swung the bat with my eyes ​closed, and upon opening them, I saw the ball bouncing ​back from the fence. I had executed a flawless cover drive ​that had left everyone in awe.

on the podium

Off we went to the tennis court for a hit up before the ​game. I could see immediately that he was better than ​average. And so I suggested that he begin with serving ​the first set. I retreated to the baseline waiting for his ​opening serve.

From the warm-up, I knew that this was going to be ​embarrassing. He went through all the motions of ​someone serving at Wimbledon: a couple of bounces, big ​intakes of air, a high ball, the long arc of the racquet, a ​ball coming at me at the speed of light...

the Wimbledon Cup

Somehow I sensed that it was coming on my backhand ​side. So, eyes closed, I took an enormous swipe at where I ​imagined the ball might be for a split second. Contact was ​made. The ball went skimming over the net and brought ​up the chalk in the corner of the court.

My opponent was speechless. It was an unplayable return ​of his service. I was covered in shame and embarrassment ​and quick to apologise. “Just a fluke” I offered.

We played three sets and I didn't win another point. But ​for a moment I could see myself lifting the Wimbledon ​Cup above my head.

The umpires called off the game as the rain was ​torrential. I spent the rest of the afternoon lapping up the ​admiration of my teammates.

As far as they were concerned, that one stroke anointed ​me as the inheritor of the mantle of Don Bradman. I ​played a few more games for the team and never ​managed double figures.

And so when Steven Bradbury, the Australian speed ​skater won a gold medal at a winter Olympics only ​because all his opposition had fallen and he was the last ​one skating. I relived those two moments of my sporting ​triumphs and saw myself, for an instant, on the podium ​with laurel wreath and medal and the adulation of the ​cheering crowds.

The dud, the drongo, the dolt had ​triumphed. Not...

The Wisest

Man

I Never Met...

By Robin Evans

An Australian teacher and guide to non-duality. Like us ​all, Terrence once had his own personal ‘back story’ - a ​so-called ‘me’ - which included sexual abuse and a ​dysfunctional home-life followed by addiction, divorce, ​depression & anxiety, and suicidal thoughts.

Terrence consulted various psychologists and therapists ​and pursued a variety of spiritual paths, self-help groups, ​and gurus.

Nothing seemed to relieve the pain of separation and ​isolation. Then, in 1986, a chance meeting with his ​teacher, Sailor Bob Adamson, in Melbourne...

Although Terrence gained an intellectual understanding of ​non-duality from his teacher, it wasn’t until many years ​later that his sense of personal self finally collapsed.

It was in this state of collapse that his true non-dual ​nature was revealed, and he awakened to the fictitious ​personal dream character.

Since then, Terrence has been taking people beyond the ​need for further help, with non-dual pointers delivered ​with compassion, warmth and a wicked sense of humour!

His online non-duality meetings are attended by people ​from around the world, including Australia.

There's a sense of a self-centered 'me' that's so strong ​and it's been with us our whole life. It thinks that there's ​'me' and then there's the universe. There's me and then ​there's everyone else. This 'me' believes a personalized ​story. It believes it's experiencing sensations and ​contractions that are unpleasant.

What we're going to do is go looking for that, that ​believes it feels contracted. And then one day it dawns ​that the whole story is not true and never was.

- Terrence

'Me' assumes there is a 'me' here, that 'me' is a thing ​which is present and aware. But look further and question ​what needs to be present for the 'me' to appear. Thought.

It’s thoughts that say there is a ‘me’ here. Thoughts say ​“I’m experiencing ‘me’ ”

What can a thought experience? This feeling of ‘me’ is not ​the ‘me’. In the absence of thought, 'me' disappears and ​what you truly are - your True Nature is revealed.

- Terrence

Anything other than 'This', the Direct Experience of now, ​is just mind chatting away to mind. 'This' is prior to ​thoughts, and we miss it. Everyone is experiencing now ​directly, yet we go to thoughts to find what's significant ​about now.

Now can't be recognised or experienced by a mind. Go to ​the Direct Experience prior to words and thoughts. Where ​is the 'me' in now?

We must spot clearly what this seeming 'me' is. The 'me' ​is the mind which is nothing but thoughts and feelings. ​We believe we live in the mind. You know, that mind that ​we are aware of? Can the mind be conscious of 'This' ​that's conscious of it? How many points of consciousness ​are there?

Flip it and see what you discover.

- Terrence

youtube icon

Terrence@ YouTube

Excerpts from Terrence’s

facebook, Youtube & Website

Educating

Mother

background

Most people of my generation look upon their ​mothers and wonder how ever they made it into the ​world, as our mothers seemed to be oh-so-naive ​and innocent of the rituals of the boudoir. My ​mother was no exception to this rule of thumb, and ​that's the background of this story.

In the 1990s, there was a story running on and off in the ​Sydney press reporting court proceedings detailing a very ​salacious assault in a domestic context. The case was ​heard in a lower court, and there was an appeal to a ​higher court. So, there was plenty of newsprint over many ​years.

Ms Wentworth

The main litigant was a woman from a very prominent ​legal family. Her name was Kate Wentworth. As well as ​the charge she had brought against her husband, Gordon ​Rogers, she was battling charges that determined her to ​be a vexatious litigant.

So, all in all, Ms Wentworth was often featured in news ​reports. The gist of the story was that she was suing for ​divorce, citing the fact that her husband had at one stage ​sooled their Alsatian dog onto her to commit an act of ​rape.

There were other acts of violence, she claimed, best ​summed up as 'nights of Hunnish practices'.The general ​public couldn't get enough of the goings-on. It was a true ​education.

cunnilingus

Now, my Mother had a subscription to the Sydney ​Morning Herald as she was only interested in obtaining ​the Television Program Guide for that day. The remainder ​of the paper usually went unread and was used to wrap ​the garbage.

I was staying overnight and was reading in the paper yet ​another lurid account of the court proceedings with ​respect to Ms Wentworth. Mum asked me what I was ​reading, and I gave her a very edited account.

She asked to see the page. Oh well, I thought, it's now or ​never. She read for quite a few minutes and then said, ​"Peter, I want you to tell me the truth. What does this ​word mean?" as her finger hovered over the word ​cunnilingus.

dry retching

"Mum,” I said, “there are some things you don't need to ​know." "Well, I want to know." She replied “Oh well, you ​asked for it and the truth you will get.” So I told the 84-​year-old what cunnilingus meant.

She bolted out from her chair, heading for the bathroom, ​all the while removing her false teeth before a most ​vigorous tooth clean accompanied by dry retching. "That's ​disgusting" was her verdict.

Ms Wentworth won her case. I don't know ​the fate of the dog. And Mum went to her ​grave a little wiser in the arts of the ​boudoir...

Introducing collage artist

Antoinette

Ellis

Currently I am busy working in Hobart on a ​series exploring the environmental impact of ​humans on nature...

1. dig deep

Being Quite Playful

...Sometimes, I want to make a serious comment, ​and it's not always obvious at first glance what ​the intended message is, but very often, the ​name of the piece will eventually give it away.


Other times, a work might be quite playful. I use ​scale to create discord or ambiguity, and the ​placing together of disparate images and forms ​are manipulated to confuse.

Hand Coloured

Images are collected from numerous ​sources, and any found paper is ​carefully stored. I will also hand colour, ​print, paint or dye my own papers, and ​I am always on the lookout for richly ​patterned and coloured Japanese and ​Nepalese papers.

2. cut above

3. All that glitters

Composition

I find Collage, such a creative and ​imaginative form of art, can be a ​challenging medium to work with ​because of the exacting detail required ​when adhering to the paper and trying ​not to lose the initial composition.


Taking a lot of photographs when I’m ​working on a composition helps me ​retain precise placement when ​adhering to and bringing the piece ​together.

Engagement

My work is small in scale, which ​makes engagement with the piece a ​more intimate experience.


The viewer needs to step closer to ​see the story, and my intention is ​always to invite the viewer to stop ​and contemplate...

4. have it all

5. the farewell bouquet

Contact Antoinette

on Facebook...